Hi there! Here's what I've got. I was working off of this Christian Macbride recording (https://www.youtube.com/watch?v=QREh1YtnQAM), so there could be some discrepancies as a result of the different version...namely the intro to that version is only eight bars.
As far as the chords go, I've marked measure three as a C triad/C#, which is what I hear the guitar and bass doing on this recording. But that's really basically the same as the Dbmaj7#11 you have, save for an E natural. I was not sure in measure four if a Dmin sound or a Gsus was appropriate, but tended to hear more Gsus on the Macbride recording (it's never really played as a G7).
I also heard a Bb triad over F# in the pedal sections, in lieu of a Bdim/F#, but went back and forth as to whether the Bb I was hearing was the root of the chord or just a color tone. Pretty ambiguous. Thanks for comparing notes!
Thanks for posting your chart, Jeffrey! I didnít know that McBride had recorded this piece! Itís quite obvious his rendition differs from V.S.O.P.ís, but thatís what jazz is all about. :) Best from Ville