FreeJazzInstitute.org




Username:
Password:




Theory & Analysis
The Theory & Analysis page is the spot for general music theory questions, and more in-depth analysis of pieces.
 
  Bird Solo on 'Confirmation

 More Information
  Home
  About FJI

 Departments
  Linear Jazz Improvisation
  Transcriptions
  Theory & Analysis
  Changes
  Originals
  Discussions
  Private Instruction
  Resources
  Ear Training

 AAJ Orchestra
  Work In Progress
  Archive
  Concerts
  Summer 2010
  Summer 2009



 engelbach
  www.engelbachmusic.com
Bird Solo on 'Confirmationsubmitted:
2010/12/09 17:56:00
revised:
2011/01/23 02:44:29


This melody could not have been created following CS Theory.


file type[image/jpeg]

click here to display image file in a new window

 






 
 LAOMUSIC ARTS
  http://laomusic.br.ms
Re:Bird Solo on 'Confirmationsubmitted:
2011/01/23 02:44:29
revised:
2011/01/23 02:44:29


This is a very good example of a diminished arppeggio played at the top of a Dom7 chord :
- over C7 is a Db wholetone-halftone scale moving downwards followed by a D Myxolydian scale
[outside to inside !] => C7(13 9alt) color going to a D7
- over F7 is a G# dim arp. => F7 (13#9)
- over E7 a simple Am7(9) arp => ergo => play the target scale over any Dom7 ! (for Am7, Melodic minor,Harm. Minor,dorian etc...)
- over Am7, the Cmaj7(9) arp. => ergo => play the scale of the Relative over Minor and Major chords (Cmaj for Am7, Dm7 for Fmaj7etc...)
- over D7 is a chromatic figure possibly derived from the D Bebop scale => D Myxolydian with a descending chromatic note between the root and the b7
- to close the phrase, a Bm7 over Gmaj7 => Bm7 is a Secondary Relative to Gmaj7 => Gmaj7(9) color

 


Log in to Post or Reply

 
   bgp 20131026